| Đơn vị phát hành | Muscat and Oman |
|---|---|
| Năm | 1946 |
| Loại | Standard circulation coin |
| Mệnh giá | 20 Baiza (0.1) |
| Tiền tệ | Saidi rial (1946-1970) |
| Chất liệu | Copper-nickel |
| Trọng lượng | |
| Đường kính | |
| Độ dày | |
| Hình dạng | Square with rounded corners |
| Kỹ thuật | Milled |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | KM#27, Schön#16 |
| Mô tả mặt trước | Twenty baisa |
|---|---|
| Chữ viết mặt trước | Arabic |
| Chữ khắc mặt trước | عشرون بيزه ٢٠ |
| Mô tả mặt sau | Sultan of Muscat and Oman Sa`id bin Taimur |
| Chữ viết mặt sau | Arabic |
| Chữ khắc mặt sau | سلطان مسقط وعمان سعيد بن تيمور ١٣٦٥ |
| Cạnh | Plain |
| Xưởng đúc | |
| Số lượng đúc |
1365 (1946) - ١٣٦۵ - 1 135 000 1365 (1946) - ١٣٦۵ Proof - 1365 (1946) - ١٣٦۵ Proof Sets (KM#PS2) - |
| ID Numisquare | 1452976510 |
| Thông tin bổ sung |
Historical Context: The 1946 20 Baiza was issued under Sultan Said bin Taimur, who governed Muscat and Oman from 1932 to 1970. This post-World War II era saw the Sultanate maintain its traditional character amidst global changes. As a fractional copper-nickel denomination, it was essential for daily commerce, asserting sovereign monetary authority and supporting the local economy during a period of gradual, internal development. This coin reflects the Sultanate's self-sufficiency in its monetary system.
Artistry: The coin's design follows Islamic numismatic tradition, favoring clear calligraphic inscriptions. No specific engraver is typically recorded for these circulation issues. The stylistic school prioritizes legibility and symbolic representation. The obverse likely features Sultan Said bin Taimur's distinctive Tughra alongside the Hijri date. The reverse displays the "20 Baiza" denomination and "Muscat and Oman" in elegant Arabic script, reflecting the Sultanate's cultural heritage and ensuring easy identification for its populace.
Technical/Grading: Struck in copper-nickel, this coin exhibits moderate relief. Key high-points for wear assessment include the uppermost curves of the Sultan's Tughra on the obverse, and the finer details within the Arabic calligraphy on the reverse. A well-struck example will show crisp, full details in these areas. Weak strikes, if present, often manifest as softness in intricate calligraphic flourishes, particularly centrally or at the peripheries. Planchet quality is generally consistent, but minor imperfections can occur.