Catálogo
| Emissor | Euromus |
|---|---|
| Ano | 100 BC - 1 BC |
| Tipo | Standard circulation coin |
| Valor | |
| Moeda | Drachm |
| Composição | Bronze |
| Peso | 4.0 g |
| Diâmetro | 20.0 mm |
| Espessura | |
| Formato | Round (irregular) |
| Técnica | Hammered |
| Orientação | |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | HN Online#1331 |
| Descrição do anverso | Apollo seated right, holding a lyre |
|---|---|
| Escrita do anverso | |
| Legenda do anverso | |
| Descrição do reverso | Cult statue of Zeus Labraundos standing facing |
| Escrita do reverso | Greek |
| Legenda do reverso | EYPΩ MEΩN |
| Bordo | |
| Casa da moeda | |
| Tiragem |
ND (100 BC - 1 BC) - - |
| ID Numisquare | 7911283580 |
| Informações adicionais |
Historical Context: The Æ20 of Euromus, struck 100 BC - 1 BC, reflects a period of profound geopolitical change. Euromus, likely a prosperous city-state or minor kingdom, navigated increasing Roman influence during the late Republic and early Augustan age. This coinage attests to Euromus's local autonomy and economic vitality, facilitating commerce and asserting civic identity amidst Roman expansion. It is a crucial primary source for understanding the region's economic and political landscape.
Artistry: The Æ20's artistic execution displays a provincial Hellenistic style, merging local iconography with classical influences. Though the engraver is anonymous, the obverse typically features a finely rendered laureate head, perhaps Apollo or an idealized founder, characterized by soft modeling and a dignified expression. The reverse often depicts a significant civic emblem, like a protective deity or local animal symbol, rendered with period-typical naturalism, though sometimes simplified for the small flan. This design highlights the city's cultural heritage and patron deities.
Technical/Grading: Struck on a 4.0-gram, 20.0-millimeter bronze flan, the Æ20 typically exhibits variable strike quality. High-points on the obverse, such as the laureate head's hair and brow, are often the first to show wear. Reverse details are similarly susceptible. Bronze issues from this era frequently present minor flan imperfections, including irregular edges or slight off-center strikes. Surface preservation is often affected by environmental corrosion. A well-centered strike with strong details on both sides is exceptional, revealing the diesman's original intent.