Catalogus
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| Uitgever | Bank of Greece |
|---|---|
| Jaar | 1946 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Second modern drachma (1944-1953) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Teal intaglio on multicolour underprint. At left, a vignette of helmeted Athena in profile; at centre, the denomination and two signature lines over guilloche work; at lower centre, an ancient Athenian tetradrachm flanked by eight palmette ornaments. The watermark zone occupies the right portion of the note. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Teal on grey and pale blue underprint. At left, a plain watermark window panel; at centre, a vignette of the Medusa head accompanied by a crowing rooster; denomination numerals at right, with the issuing authority title and series inscription across the upper register. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
By 1946, Greece had endured Axis occupation, hyperinflation so severe that a 1944 redenomination lopped eleven zeros off the currency, and then immediate civil war. This 20,000 Drachmai note entered circulation into an economy still rebuilding after one of the worst currency collapses in European history — the 1944 inflation had briefly pushed daily prices into the billions. Bradbury Wilkinson's production in New Malden brought a degree of technical credibility the Greek state could no longer supply domestically.
The eight-palmette ornamental row at the bottom is the distinguishing feature separating this variety from related issues in the series — a small but cataloguers' reliable differentiator across otherwise similar printings.