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| Emittent | Brunswick-Wolfenbüttel, Principality of |
|---|---|
| Jahr | 1625 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | KM#PnA1, Fr#629, Welter#1003, Müseler#10.2/50 |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Latin |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Full-length frontal figure of Saint James the Apostle (St. Jacob) standing in the field, vested as a pilgrim, holding a long staff in his right hand and a book in his left; the Tetragrammaton (Jehovah's name) radiates from above in a glory of rays. A Latin hexameter verse legend encircles the design, referencing the silver weight of the Jacobslöser piece. The surfaces display the high relief and sharp detail characteristic of a carefully prepared pattern strike. |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
The Jacobslöser — named for the pilgrim's scallop shell badge of Saint James — was a distinctly Lower Saxon phenomenon, a series of high-denomination presentation pieces issued by Brunswick-Wolfenbüttel as diplomatic gifts and marks of princely favor rather than for any commercial exchange. Frederick Ulrich's reign was administratively troubled from the start; the Duke faced persistent factional pressure from his estates and was effectively sidelined by his own council for stretches of his rule. That a pattern in gold at this weight was produced in 1625 — the fourth year of the Thirty Years' War — suggests a deliberate display of court prestige at a moment when the Duchy's political position was under considerable strain.