2 Keping

发行方 Sumatra
年份 1783
类型 Standard circulation coin
面值 2 Kepings (1/200)
货币 Dollar (1783-1824)
材质 Copper
重量 3.3 g
直径 20 mm
厚度 1.3 mm
形状 Round
制作工艺
方向 Coin alignment ↑↓
雕刻师
流通至
参考资料 KM#256, Pr#9
正面描述 United East India Company balemark with figure `4` above. Date with intervening flower below. Toothed border.
正面文字
正面铭文 VEIC 1783
背面描述 Arabic inscription with date below. Toothed border.
背面文字
背面铭文 ٢ دوا کڤڠ ١١٩٧
(Translation: 2 Keping 19 r 1197)
边缘
铸币厂
铸造量 1197 (1783) - -
Numisquare 编号 2572821510
附加信息

Historical Context: The 1783 Sumatra 2 Keping copper coin emerges from the late 18th-century colonial administration of the British East India Company (EIC). The EIC maintained a significant presence on Sumatra, primarily centered around its Bencoolen (Bengkulu) factory. This coinage was instrumental in facilitating local trade and commerce, serving as a standardized medium of exchange. The issuance of localized denominations, like the Keping, underscores the EIC's strategy of integrating into regional monetary systems while asserting its economic and political authority.

Artistry: The artistry of the 1783 2 Keping coin reflects a utilitarian colonial aesthetic. Specific engravers for these localized EIC issues are typically unrecorded. The design is characterized by functional simplicity, often featuring clear, albeit sometimes crudely rendered, English legends such as "EAST INDIA COMPANY" or its abbreviation on one side, and the denomination "2 KEPING" alongside the date "1783" on the reverse. The stylistic school prioritizes practical legibility, indicative of mass production for colonial circulation.

Technical/Grading: Struck in copper, the 2 Keping (3.3g, 20mm) typically exhibits variable strike quality. High-points prone to early wear include the raised lettering of the legends and the digits of the date and denomination. Collectors often encounter examples with weak strikes, particularly on the periphery, and occasional planchet imperfections. The edges are invariably plain. Grading considerations should account for the inherent limitations of 18th-century colonial production, where full, sharp details are rare, and a strong strike across all elements is highly desirable.

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