2 Francs Piefort Essai

発行体 French Equatorial Africa
年号 1948
種類 Coin pattern
額面 2 Francs (2 FCFA)
通貨 CFA franc (1945-1960)
材質 Aluminium
重量
直径 27 mm
厚さ
形状 Round
製造技法 Milled
向き Coin alignment ↑↓
彫刻師 Lucien Georges Bazor
流通終了年
参考文献 KM#PE2
表面の説明 Mariane`s head left, wearing a winged phrygian cap. Background: harbour and 4 ships berthed. Date below.
表面の文字体系 Latin
表面の銘文 REPUBLIQUE FRANÇAISE UNION FRANÇAISE L.BAZOR GB· ESSAI 1948
(Translation: French Republic / French Union Trial)
裏面の説明 Leptoceros gazelle head and various crops, divides denomination.
裏面の文字体系 Latin
裏面の銘文 2 F. AFRIQUE EQUATORIALE FRANÇAISE
(Translation: French Equatorial Africa)
Plain
鋳造所 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
鋳造数 1948 - - 104
Numisquare ID 1875982490
追加情報

Historical Context: The 1948 2 Francs Piefort Essai for French Equatorial Africa (AEF) emerged during the Fourth French Republic, a post-WWII era of colonial reassertion and monetary reform. The AEF, vital to Free France, was consolidating its currency within the broader French franc zone. An "Essai" (trial strike) in piefort (double thickness) indicates a pattern or proposed issue, likely for approval or as a numismatic specimen, reflecting economic re-evaluation and the establishment of colonial currency. This piece underscores the complex financial relationship between the metropole and its territories.

Artistry: Though the specific engraver for colonial patterns is often unrecorded, the stylistic school aligns with contemporary French numismatic art. This typically blended classical allegory with symbols pertinent to the colony. Designs of this era frequently depicted allegorical representations of France, like Marianne, or local agricultural motifs. The Piefort Essai would feature the intended circulating coin's design, executed with heightened precision. Its aesthetic aimed to project French authority and cultural influence within a neoclassical framework adapted for colonial identity.

Technical/Grading: Struck in lightweight aluminium, 27mm in diameter, this piefort Essai features a notably thicker flan. Essais are typically produced with meticulous care on specially prepared planchets, ensuring an exceptionally sharp strike and full detail across all design elements. High points, such as an allegorical figure's hair or facial features, or intricate wreath details, would be fully rendered. The double thickness often enhances relief. While aluminium is prone to minor contact marks, pristine examples of such patterns are highly prized.

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