カタログ
| 発行体 | Canton of Uri |
|---|---|
| 年号 | 1811 |
| 種類 | Standard circulation coin |
| 額面 | 2 Batzen (0.2) |
| 通貨 | Frank (1811) |
| 材質 | Silver |
| 重量 | 2.78 g |
| 直径 | 21 mm |
| 厚さ | |
| 形状 | Round |
| 製造技法 | Milled |
| 向き | Medal alignment ↑↑ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | KM#43, HMZ 1#2-993 |
| 表面の説明 | Arms of Uri within sprigs. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | CANTON URI |
| 裏面の説明 | Value and date within wreath. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | UNITAS VERITAS ET RELIGIO |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
1811 - - 4 995 |
| Numisquare ID | 4409276480 |
| 追加情報 |
Historical Context: The 1811 2 Batzen coin from the Canton of Uri emerges from a crucial period in Swiss history. After the Napoleonic-imposed Helvetic Republic, the 1803 Act of Mediation restored significant autonomy to the Swiss cantons. Uri, an original Forest Canton, was re-establishing its sovereignty and administrative functions, including currency issuance. This coin symbolizes Uri's reassertion of self-governance and cantonal independence amidst a Europe still dominated by French influence, preceding the full restoration of the Old Swiss Confederacy.
Artistry: The design of this 2 Batzen reflects the functional, traditional aesthetic common to early 19th-century Swiss cantonal issues. A specific engraver is typically unrecorded; the stylistic school combines practical classicism with strong heraldic tradition. The obverse prominently features the iconic Uri bull's head, often with a nose ring, representing the canton's coat of arms. The reverse displays the denomination "2 BATZEN" and the date "1811", usually within a wreath or simple border, prioritizing clarity and civic identity.
Technical/Grading: Struck in silver (21 mm, 2.78 grams), the technical strike quality of this 2 Batzen varies. High-points susceptible to wear include the bull's horns and nose ring on the obverse, and fine details within the wreath or lettering on the reverse. Early 19th-century cantonal minting often resulted in inconsistent strikes. Collectors seek well-centered examples with full details on the bull's head and crisp lettering. Weakness on the periphery or flatness on central motifs are common, making well-preserved examples desirable.