2 Batzen

Emitent Canton of Uri
Rok 1811
Typ Standard circulation coin
Hodnota 2 Batzen (0.2)
Měna Frank (1811)
Složení Silver
Hmotnost 2.78 g
Průměr 21 mm
Tloušťka
Tvar Round
Technika Milled
Orientace Medal alignment ↑↑
Rytci
V oběhu do
Reference KM#43, HMZ 1#2-993
Popis líce Arms of Uri within sprigs.
Písmo líce Latin
Opis líce CANTON URI
Popis rubu Value and date within wreath.
Písmo rubu Latin
Opis rubu UNITAS VERITAS ET RELIGIO
Hrana
Mincovna
Náklad 1811 - - 4 995
ID Numisquare 4409276480
Další informace

Historical Context: The 1811 2 Batzen coin from the Canton of Uri emerges from a crucial period in Swiss history. After the Napoleonic-imposed Helvetic Republic, the 1803 Act of Mediation restored significant autonomy to the Swiss cantons. Uri, an original Forest Canton, was re-establishing its sovereignty and administrative functions, including currency issuance. This coin symbolizes Uri's reassertion of self-governance and cantonal independence amidst a Europe still dominated by French influence, preceding the full restoration of the Old Swiss Confederacy.

Artistry: The design of this 2 Batzen reflects the functional, traditional aesthetic common to early 19th-century Swiss cantonal issues. A specific engraver is typically unrecorded; the stylistic school combines practical classicism with strong heraldic tradition. The obverse prominently features the iconic Uri bull's head, often with a nose ring, representing the canton's coat of arms. The reverse displays the denomination "2 BATZEN" and the date "1811", usually within a wreath or simple border, prioritizing clarity and civic identity.

Technical/Grading: Struck in silver (21 mm, 2.78 grams), the technical strike quality of this 2 Batzen varies. High-points susceptible to wear include the bull's horns and nose ring on the obverse, and fine details within the wreath or lettering on the reverse. Early 19th-century cantonal minting often resulted in inconsistent strikes. Collectors seek well-centered examples with full details on the bull's head and crisp lettering. Weakness on the periphery or flatness on central motifs are common, making well-preserved examples desirable.

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