カタログ
| 発行体 | Akmoneia |
|---|---|
| 年号 | 100 BC - 1 BC |
| 種類 | Standard circulation coin |
| 額面 | |
| 通貨 | Drachm |
| 材質 | Bronze |
| 重量 | 4.25 g |
| 直径 | 19.0 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | BMC Greek#16 |
| 表面の説明 | Laureate head of Zeus right |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Asklepios standing facing, resting hand upon serpent-entwined staff |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | AKMONE MHNOΔO ΣIΛΛΩN |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (100 BC - 1 BC) - - |
| Numisquare ID | 4505609280 |
| 追加情報 |
Historical Context: This Æ19 coin, issued by Akmoneia in Phrygia between 100 BC and 1 BC, marks a significant transitional era from Hellenistic autonomy to Roman provincial rule. Akmoneia, like many cities in Asia Minor, retained a degree of civic self-governance, including the right to mint local bronze currency for daily commerce. The appearance of the names Menodotos and Silion identifies them as local magistrates (likely strategoi or duoviri) responsible for the issue, signifying the city's continued exercise of economic authority despite the increasing solidification of Roman influence across the region.
Artistry: The artistic style of this Akmoneian bronze aligns with the broader Late Hellenistic tradition, often exhibiting a characteristic provincial interpretation. While no specific engraver is known, common for civic issues of this period, typical designs feature portraits of local or pan-Hellenic deities on the obverse, often rendered with a robust, somewhat generalized classicizing aesthetic. The reverse commonly displays a local cult image, symbolic animal, or civic emblem, accompanied by the names of the issuing magistrates, Menodotos and Silion, inscribed in Greek. The overall execution reflects practical minting demands rather than high artistic ambition.
Technical/Grading: Struck on a bronze flan weighing 4.25 grams and measuring 19.0 millimeters, this coin’s technical qualities are typical for civic bronzes of its era. High-points susceptible to wear would include the highest relief areas of any obverse portraiture (e.g., hair, cheekbone) and prominent features of the reverse device or lettering. Strike quality can vary; well-centered examples with full legends and clear device details are highly desirable. Flan preparation often shows irregularities, and minor off-centering or areas of weak strike are not uncommon. A superior example would exhibit a strong strike on a well-prepared flan, ensuring legibility and detail retention.