Katalog
| Emittent | Aegae |
|---|---|
| Jahr | 200 BC - 100 BC |
| Typ | Standard circulation coin |
| Nennwert | |
| Währung | Drachm |
| Material | Bronze |
| Gewicht | 4.7 g |
| Durchmesser | 16 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | SNG Copenhagen#7 |
| Aversbeschreibung | Helmeted head of Athena right |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Zeus advancing left, holding eagle and sceptre |
| Reversschrift | Greek |
| Reverslegende | ΑΙΓΑΙΩΝ |
| Rand | |
| Prägestätte | |
| Auflage |
ND (200 BC - 100 BC) - - |
| Numisquare-ID | 6682103420 |
| Zusätzliche Informationen |
Historical Context: This Æ16 bronze coin from Aegae, struck between 200 and 100 BC, situates itself firmly within the Hellenistic period, a time of shifting alliances and regional powers in Asia Minor. Aegae, an ancient city in Aeolis, navigated influences from the Seleucid Empire, Pergamon, and emerging Rome. This civic bronze issue served the daily economic needs of the city’s populace, reflecting its autonomy while acknowledging the broader geopolitical landscape. Such coinage underscores Aegae's continued importance as a local economic hub.
Artistry: While the specific engraver remains anonymous, this Æ16 coin exemplifies prevailing Hellenistic artistic conventions. The obverse typically features a finely rendered head of a prominent deity, such as Apollo or Zeus, characterized by idealized facial features and flowing hair, indicative of Greek sculptural tradition. The reverse often displays a local emblem or mythological figure, executed with a keen eye for detail despite the coin's diminutive size. The stylistic school leans towards the naturalism and expressiveness common in Hellenistic art.
Technical/Grading: Weighing 4.7 grams and measuring 16 millimeters, this bronze issue is typical for a Hellenistic civic fractional denomination. For optimal grading, collectors seek a strong, centered strike, often challenging on bronze issues due to less precise minting. High-points for wear include the highest relief areas of the deity’s hair, nose, and chin on the obverse, and prominent features of the reverse device. The fabric often exhibits some porosity or minor flan irregularities inherent to bronze processes.