カタログ
| 発行体 | Abbaitis |
|---|---|
| 年号 | 200 BC - 100 BC |
| 種類 | Standard circulation coin |
| 額面 | |
| 通貨 | Drachm |
| 材質 | Bronze |
| 重量 | 3 g |
| 直径 | 20 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | BMC Greek#9-10 |
| 表面の説明 | Laureate head of Apollo right. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Inscription and monogram above and beneath labrys (double-axe), all within wreath. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 |
MYΣΩN ABBA (Translation: Mysia Abbaitis) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (200 BC - 100 BC) - - |
| Numisquare ID | 5638449030 |
| 追加情報 |
Historical Context: This Æ16 coin from Abbaitis, a Phrygian city, dates to the late Hellenistic period (200-100 BC). During this era, cities in Asia Minor navigated the shifting power dynamics between the waning Seleucid Empire, the ascendant Attalid Kingdom, and growing Roman influence. Abbaitis, like many regional centers, exercised civic autonomy by issuing bronze coinage for local commerce. These issues were essential economic tools, facilitating daily transactions and reflecting the city's local identity rather than a specific monarch's authority.
Artistry: While the specific engraver remains anonymous, typical for civic bronzes, the coin exemplifies the prevailing Hellenistic stylistic school. The obverse likely features a diademed head of a local patron deity, such as Zeus or Apollo, rendered with idealized classical forms and regional interpretation. The reverse would commonly depict a symbolic emblem, perhaps an eagle or a local river god, signifying the city's unique identity. The artistry, though perhaps less refined than royal issues, conveys robust civic pride.
Technical/Grading: Struck on a bronze flan weighing approximately 3 grams and measuring 20 millimeters, this coin typically exhibits varying strike quality. High-points susceptible to wear include the highest relief of the deity's hair and facial features on the obverse, and prominent elements of the reverse design. Due to local minting practices, examples often display some off-centering, minor flan imperfections, or an uneven strike. Well-preserved specimens will show clear details in the legends and full articulation of the primary motifs.