Danh mục
| Đơn vị phát hành | Apollonis |
|---|---|
| Năm | 200 BC - 150 BC |
| Loại | Standard circulation coin |
| Mệnh giá | |
| Tiền tệ | Drachm |
| Chất liệu | Bronze |
| Trọng lượng | 5.2 g |
| Đường kính | 17 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | Variable alignment ↺ |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | SNG Copenhagen#470-482, SNG Munich 23#32 |
| Mô tả mặt trước | Macedonian style shield decorated with five stars |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | City name split above and below club and all within a circle of dots. |
| Chữ viết mặt sau | Greek |
| Chữ khắc mặt sau |
ΑΠΟΛΛΩ ΝΙΔΕΩΝ (Translation: Apollonis) |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (200 BC - 150 BC) - - |
| ID Numisquare | 2672750700 |
| Thông tin bổ sung |
Historical Context: This Æ15 bronze coin was issued by the ancient city of Apollonis in Lydia, Asia Minor, between 200 BC and 150 BC. Named after Apollonis, wife of Attalus I Soter of Pergamon, the city's coinage falls within the Attalid kingdom's sphere of influence. These civic bronzes served as essential local currency, facilitating daily commerce and reflecting the city's semi-autonomous status within the Hellenistic world, often under the patronage of regional powers like Pergamon.
Artistry: The engraver of this civic issue remains anonymous, but the coin exhibits characteristics typical of Hellenistic numismatic art. The stylistic school blends classical ideals with developing naturalism, often in a simplified or provincial manner. Common designs for such denominations include a laureate or diademed head of a deity (perhaps Apollo or Artemis, fitting the city's name) on the obverse, and a standing figure, cult object, or civic emblem on the reverse. Artistic execution aimed for clear, recognizable imagery.
Technical/Grading: This Æ15, weighing 5.2 grams and measuring 17 millimeters, represents a common bronze denomination. Technical strike qualities for Hellenistic civic bronzes vary; weak strikes, off-centering, and uneven flans are frequent. High-points susceptible to wear typically include hair and facial features on a portrait obverse, or drapery and limbs on a reverse figure. A well-struck example would show full details in these areas, with a relatively centered strike and a sound flan, though pristine examples are rare for this series.