カタログ
| 発行体 | Apollonis |
|---|---|
| 年号 | 200 BC - 150 BC |
| 種類 | Standard circulation coin |
| 額面 | |
| 通貨 | Drachm |
| 材質 | Bronze |
| 重量 | 5.2 g |
| 直径 | 17 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | SNG Copenhagen#470-482, SNG Munich 23#32 |
| 表面の説明 | Macedonian style shield decorated with five stars |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | City name split above and below club and all within a circle of dots. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 |
ΑΠΟΛΛΩ ΝΙΔΕΩΝ (Translation: Apollonis) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (200 BC - 150 BC) - - |
| Numisquare ID | 2672750700 |
| 追加情報 |
Historical Context: This Æ15 bronze coin was issued by the ancient city of Apollonis in Lydia, Asia Minor, between 200 BC and 150 BC. Named after Apollonis, wife of Attalus I Soter of Pergamon, the city's coinage falls within the Attalid kingdom's sphere of influence. These civic bronzes served as essential local currency, facilitating daily commerce and reflecting the city's semi-autonomous status within the Hellenistic world, often under the patronage of regional powers like Pergamon.
Artistry: The engraver of this civic issue remains anonymous, but the coin exhibits characteristics typical of Hellenistic numismatic art. The stylistic school blends classical ideals with developing naturalism, often in a simplified or provincial manner. Common designs for such denominations include a laureate or diademed head of a deity (perhaps Apollo or Artemis, fitting the city's name) on the obverse, and a standing figure, cult object, or civic emblem on the reverse. Artistic execution aimed for clear, recognizable imagery.
Technical/Grading: This Æ15, weighing 5.2 grams and measuring 17 millimeters, represents a common bronze denomination. Technical strike qualities for Hellenistic civic bronzes vary; weak strikes, off-centering, and uneven flans are frequent. High-points susceptible to wear typically include hair and facial features on a portrait obverse, or drapery and limbs on a reverse figure. A well-struck example would show full details in these areas, with a relatively centered strike and a sound flan, though pristine examples are rare for this series.