Catalogus
| Uitgever | Carthage |
|---|---|
| Jaar | 220 BC - 210 BC |
| Type | Standard circulation coin |
| Waarde | 1/4 Shekel |
| Valuta | Shekel |
| Samenstelling | Silver |
| Gewicht | 1.74 g |
| Diameter | 14 mm |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | SNG Copenhagen#369 |
| Beschrijving voorzijde | Head of Tanit left, wreathed with wheat ears, wearing necklace and single-drop earring. |
|---|---|
| Schrift voorzijde | |
| Opschrift voorzijde | |
| Beschrijving keerzijde | Horse standing right, pellet below horse. |
| Schrift keerzijde | |
| Opschrift keerzijde | |
| Rand | |
| Muntplaats | |
| Oplage |
ND (220 BC - 210 BC) - - |
| Numisquare-ID | 6395703990 |
| Aanvullende informatie |
Historical Context: This silver 1/4 Shekel, struck between 220 BC and 210 BC, falls within the Second Punic War, the existential conflict between Carthage and Rome. With Hannibal Barca leading Carthaginian forces in Italy, the demand for coinage was immense, primarily to fund mercenary armies and logistics. This denomination, though modest, was a crucial component of Carthage's wartime economy, reflecting the republic's urgent need to sustain its military against Rome.
Artistry: The coin’s design exemplifies the Punic-Hellenistic artistic tradition in Carthaginian numismatics. The obverse features a finely rendered head of Tanit, Carthage’s chief goddess, wreathed with grain ears, reflecting Hellenistic idealized portraiture. The reverse typically portrays a horse, a symbol of Carthaginian cavalry, often standing or galloping. While the engraver remains anonymous, the stylistic quality suggests skilled artisans, trained in Greek traditions, adapting them to Punic iconography.
Technical/Grading: At 14mm and 1.74 grams, this 1/4 Shekel (SNG Copenhagen#369) is assessed for strike quality and die state. High points on the obverse include Tanit’s wreath and facial features; on the reverse, the horse's musculature and mane are critical. Wartime production often led to variations in strike clarity, centering, and die wear. A well-struck example exhibits sharp details on both sides, with minimal die fatigue, indicating an early impression from fresh dies.