カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Draped male head facing right, rendered in a provincial Iberian artistic style with bold, somewhat stylized features. Three pellets arranged in a row are visible behind the head in the left field, serving as a value or workshop mark. The hair is depicted with a mantle or hood-like covering, consistent with Iberian indigenous coinage conventions of the period. The overall relief is moderately high, typical of hammered bronze issues of the northeastern Iberian peninsula. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | Iberian (Levantine) |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The Ausesken were an Iberian people of the northeastern Hispanian interior, and their coinage was struck during a period when Roman administrative pressure was reshaping indigenous monetary practices across the peninsula. Following the campaigns of the early second century BC, local Iberian communities were permitted — sometimes effectively compelled — to produce their own fractional bronze coinage to facilitate tax payments and troop provisioning for Roman forces stationed in the region. This piece is a product of that arrangement rather than of independent civic pride.
CNH#7 places this among the earliest Ausesken issues.