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1/4 Bronze Unit
| Emittent | Ausesken gens |
|---|---|
| Jahr | 170 BC - 150 BC |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Denarius (early 2nd century BC) |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Draped male head facing right, rendered in a provincial Iberian artistic style with bold, somewhat stylized features. Three pellets arranged in a row are visible behind the head in the left field, serving as a value or workshop mark. The hair is depicted with a mantle or hood-like covering, consistent with Iberian indigenous coinage conventions of the period. The overall relief is moderately high, typical of hammered bronze issues of the northeastern Iberian peninsula. |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Iberian (Levantine) |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
The Ausesken were an Iberian people of the northeastern Hispanian interior, and their coinage was struck during a period when Roman administrative pressure was reshaping indigenous monetary practices across the peninsula. Following the campaigns of the early second century BC, local Iberian communities were permitted — sometimes effectively compelled — to produce their own fractional bronze coinage to facilitate tax payments and troop provisioning for Roman forces stationed in the region. This piece is a product of that arrangement rather than of independent civic pride.
CNH#7 places this among the earliest Ausesken issues.