Catalogus
| Uitgever | Bisanthe |
|---|---|
| Jaar | 300 BC - 200 BC |
| Type | Standard circulation coin |
| Waarde | |
| Valuta | Drachm |
| Samenstelling | Bronze |
| Gewicht | 1.97 g |
| Diameter | 14.0 mm |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | Bisanthe#38-41, HGC 3.2#1367 |
| Beschrijving voorzijde | Head facing right |
|---|---|
| Schrift voorzijde | |
| Opschrift voorzijde | |
| Beschrijving keerzijde | Ethnic in wreath |
| Schrift keerzijde | Greek |
| Opschrift keerzijde | ΒΙ ΣΑ |
| Rand | |
| Muntplaats | |
| Oplage |
ND (300 BC - 200 BC) - - |
| Numisquare-ID | 4646892860 |
| Aanvullende informatie |
Historical Context: This Æ14 coin originates from Bisanthe, a significant Thracian city located on the Propontis, during the Hellenistic period, specifically between 300 and 200 BC. This era was marked by the shifting power dynamics following the death of Alexander the Great, with Bisanthe navigating between the successor kingdoms and asserting its civic autonomy. As a strategic port and agricultural center, Bisanthe's ability to issue its own bronze coinage underscored its economic independence and local self-governance, serving as essential small change for daily commerce within its territory.
Artistry: While no specific engraver is attributed, the coin's design adheres to the broader Hellenistic stylistic traditions prevalent in Thrace. Given its small module, the artistry would have focused on clear, recognizable imagery rather than intricate detail. Typical designs for civic bronzes of this period often featured local deities, personifications, or significant symbols representing the city's identity or patron. The execution, though perhaps less refined than contemporary silver issues, aimed for effective communication of civic pride and religious devotion through its chosen motifs.
Technical/Grading: Struck in bronze, this Æ14 coin measures 14.0 mm and weighs 1.97 gg. For grading, key high-points often include prominent features of the obverse and reverse designs, such as hair or facial contours if a bust is present, or the highest relief points of any symbolic device. Bronze issues from this period frequently exhibit varying strike quality, including occasional off-centering, uneven flan thickness, or areas of weakness due to the nature of the metal and the striking process. Planchet preparation could also lead to irregular shapes or minor surface imperfections.