カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Equestrian figure of King Charles I of Anjou shown in profile to the right, mounted on a walking horse, wearing a crown and holding a raised sword in his right hand. The king is depicted in full regalia in the medieval feudal tradition. The central device is enclosed within a beaded inner circle, with the partial Latin legend K DEI GRACIA distributed around the periphery. The hammered flan exhibits the characteristic irregular planchet shape typical of 13th-century Sicilian gold coinage. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Carlo I d'Angiò received Sicily as a papal fief from Clement IV in 1265, and his coinage deliberately continued the tari denominations established under Hohenstaufen rule — a pragmatic concession to a population deeply accustomed to Norman and German monetary traditions. The 12 tari at 7.44g aligned closely with the Hohenstaufen augustalis weight standard, easing commercial acceptance in a kingdom won by conquest.
Production at Messina ceased abruptly with the Sicilian Vespers of March 1282, when a popular uprising against Angevin rule killed thousands of French soldiers and administrators within days. The entire Sicilian monetary operation transferred permanently to Naples, making this type a product of a very specific and violently terminated political window.