1/2 Shekel - Hiempsal II

Đơn vị phát hành Numidia
Năm 88 BC - 60 BC
Loại Standard circulation coin
Mệnh giá 1/2 Shekel (3⁄2)
Tiền tệ Eastern Numidia from Micipsa`s death to the Roman annexation (118 BC-46 BC)
Chất liệu Silver
Trọng lượng 3.45 g
Đường kính
Độ dày
Hình dạng Round (irregular)
Kỹ thuật Hammered
Hướng
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo GCV#6602, SNG Copenhagen#378
Mô tả mặt trước Male head right.
Chữ viết mặt trước
Chữ khắc mặt trước
Mô tả mặt sau Horse galloping right in laurel wreath.
Chữ viết mặt sau
Chữ khắc mặt sau
Cạnh
Xưởng đúc
Số lượng đúc ND (88 BC - 60 BC) - -
ID Numisquare 6323382930
Thông tin bổ sung

Historical Context: Hiempsal II, King of Numidia (88-60 BC), was a pivotal figure during the kingdom's final decades of independence. Son of Gauda, his reign was defined by intense Roman political entanglement, particularly with Marius, Sulla, and Pompey. This 1/2 shekel symbolizes Numidia's persistent, though challenged, sovereignty amidst escalating Roman influence. It represents the last phase of independent Numidian coinage before the kingdom's eventual absorption into the Roman sphere, reflecting a period of complex diplomatic maneuvering and internal stability.

Artistry: The engraver remains anonymous, as is common for ancient coinage. Stylistically, this piece exemplifies the late Hellenistic tradition, blending Punic and nascent Roman influences characteristic of Numidian numismatics. The obverse typically presents a finely rendered, diademed portrait of Hiempsal II, displaying regal features in the Hellenistic monarchical style. The reverse commonly features a galloping horse, a powerful and traditional symbol of Numidia's renowned cavalry, often accompanied by Punic letters or a palm tree, signifying cultural heritage.

Technical/Grading: Struck in silver at 3.45 grams, this 1/2 shekel's high-points for assessing strike and wear are the hair, nose, and diadem on the obverse portrait. On the reverse, the horse's mane, musculature, and legs are critical. Technical strike quality varies; some examples show minor off-centring or die wear. However, well-struck specimens exhibit sharp details on both sides, with a solid, consistent flan and good silver fabric, characteristic of Numidian issues from this era.

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