Danh mục
| Đơn vị phát hành | Numidia |
|---|---|
| Năm | 88 BC - 60 BC |
| Loại | Standard circulation coin |
| Mệnh giá | 1/2 Shekel (3⁄2) |
| Tiền tệ | Eastern Numidia from Micipsa`s death to the Roman annexation (118 BC-46 BC) |
| Chất liệu | Silver |
| Trọng lượng | 3.45 g |
| Đường kính | |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | GCV#6602, SNG Copenhagen#378 |
| Mô tả mặt trước | Male head right. |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Horse galloping right in laurel wreath. |
| Chữ viết mặt sau | |
| Chữ khắc mặt sau | |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (88 BC - 60 BC) - - |
| ID Numisquare | 6323382930 |
| Thông tin bổ sung |
Historical Context: Hiempsal II, King of Numidia (88-60 BC), was a pivotal figure during the kingdom's final decades of independence. Son of Gauda, his reign was defined by intense Roman political entanglement, particularly with Marius, Sulla, and Pompey. This 1/2 shekel symbolizes Numidia's persistent, though challenged, sovereignty amidst escalating Roman influence. It represents the last phase of independent Numidian coinage before the kingdom's eventual absorption into the Roman sphere, reflecting a period of complex diplomatic maneuvering and internal stability.
Artistry: The engraver remains anonymous, as is common for ancient coinage. Stylistically, this piece exemplifies the late Hellenistic tradition, blending Punic and nascent Roman influences characteristic of Numidian numismatics. The obverse typically presents a finely rendered, diademed portrait of Hiempsal II, displaying regal features in the Hellenistic monarchical style. The reverse commonly features a galloping horse, a powerful and traditional symbol of Numidia's renowned cavalry, often accompanied by Punic letters or a palm tree, signifying cultural heritage.
Technical/Grading: Struck in silver at 3.45 grams, this 1/2 shekel's high-points for assessing strike and wear are the hair, nose, and diadem on the obverse portrait. On the reverse, the horse's mane, musculature, and legs are critical. Technical strike quality varies; some examples show minor off-centring or die wear. However, well-struck specimens exhibit sharp details on both sides, with a solid, consistent flan and good silver fabric, characteristic of Numidian issues from this era.