Catalogo
| Emittente | Numidia |
|---|---|
| Anno | 88 BC - 60 BC |
| Tipo | Standard circulation coin |
| Valore | 1/2 Shekel (3⁄2) |
| Valuta | Eastern Numidia from Micipsa`s death to the Roman annexation (118 BC-46 BC) |
| Composizione | Silver |
| Peso | 3.45 g |
| Diametro | |
| Spessore | |
| Forma | Round (irregular) |
| Tecnica | Hammered |
| Orientamento | |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | GCV#6602, SNG Copenhagen#378 |
| Descrizione del dritto | Male head right. |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | |
| Descrizione del rovescio | Horse galloping right in laurel wreath. |
| Scrittura del rovescio | |
| Legenda del rovescio | |
| Bordo | |
| Zecca | |
| Tiratura |
ND (88 BC - 60 BC) - - |
| ID Numisquare | 6323382930 |
| Informazioni aggiuntive |
Historical Context: Hiempsal II, King of Numidia (88-60 BC), was a pivotal figure during the kingdom's final decades of independence. Son of Gauda, his reign was defined by intense Roman political entanglement, particularly with Marius, Sulla, and Pompey. This 1/2 shekel symbolizes Numidia's persistent, though challenged, sovereignty amidst escalating Roman influence. It represents the last phase of independent Numidian coinage before the kingdom's eventual absorption into the Roman sphere, reflecting a period of complex diplomatic maneuvering and internal stability.
Artistry: The engraver remains anonymous, as is common for ancient coinage. Stylistically, this piece exemplifies the late Hellenistic tradition, blending Punic and nascent Roman influences characteristic of Numidian numismatics. The obverse typically presents a finely rendered, diademed portrait of Hiempsal II, displaying regal features in the Hellenistic monarchical style. The reverse commonly features a galloping horse, a powerful and traditional symbol of Numidia's renowned cavalry, often accompanied by Punic letters or a palm tree, signifying cultural heritage.
Technical/Grading: Struck in silver at 3.45 grams, this 1/2 shekel's high-points for assessing strike and wear are the hair, nose, and diadem on the obverse portrait. On the reverse, the horse's mane, musculature, and legs are critical. Technical strike quality varies; some examples show minor off-centring or die wear. However, well-struck specimens exhibit sharp details on both sides, with a solid, consistent flan and good silver fabric, characteristic of Numidian issues from this era.