Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Brunswick-Wolfenbüttel, Principality of |
|---|---|
| Year | 1620-1621 |
| Type | Log in to see details |
| Value | 12 Kreuzers (0.1) |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Latin |
| Obverse lettering | Log in to see details |
| Reverse description | Crowned double-headed imperial eagle displayed, with spread wings, facing outward. A circular orb inscribed with the denomination '12' is placed on the eagle's breast. The imperial crown surmounts the eagle above, and a continuous Latin legend naming Emperor Ferdinand II runs around the periphery within a beaded border. |
| Reverse script | Log in to see details |
| Reverse lettering | Log in to see details |
| Edge | Log in to see details |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information |
Frederick Ulrich's 12 Kreuzer belongs to the Kipperzeit — the "tipper and see-saw time" of 1619–1623, when German mints across the Empire engaged in a coordinated debasement race, each authority clipping silver content and passing debased coin into neighboring territories before the inevitable collapse. Brunswick-Wolfenbüttel was no innocent bystander. Frederick Ulrich operated multiple emergency mints during this period, flooding regional circulation with underweight Kipper coinage while accepting full-weight coin in tax payments.
The monetary crash of 1623 wiped out savings across the Protestant north. This piece dates from near the peak of the crisis.