1/2 As Light type, value to the left

Emissor Tuder
Ano 220 BC - 201 BC
Tipo Standard circulation coin
Valor 1/2 As = 1 Semis
Moeda As (circa 280-201 BC)
Composição Bronze
Peso 44.06 g
Diâmetro 32 mm
Espessura
Formato Round (irregular)
Técnica
Orientação
Gravador(es)
Em circulação até
Referência(s) ICC#223, HN Italy#46, Haeberlin#p.229, Thurlow-Ve#164, Campana#11
Descrição do anverso Sleeping dog with legend above and value below.
Escrita do anverso
Legenda do anverso TUTERE C
(Translation: Tuder 1/2)
Descrição do reverso Lyre with value to the left.
Escrita do reverso
Legenda do reverso C
(Translation: 1/2)
Bordo Smooth.
Casa da moeda
Tiragem ND (220 BC - 201 BC) - -
ID Numisquare 3320613500
Informações adicionais

Historical Context: This 1/2 As, issued by the Umbrian city of Tuder (220-201 BC), coincides with the tumultuous Second Punic War. As a Roman ally, Tuder’s coinage reflects the immense economic pressures of the conflict. The "light type" indicates a shift to reduced weight standards from earlier Roman aes grave. Such local bronze issues were vital for facilitating everyday commerce and military expenditures within Tuder’s territory, supplementing the Roman monetary system during a period of national strain against Hannibal.

Artistry: The design of this 1/2 As, while from an anonymous engraver, exemplifies Graeco-Italic stylistic traditions prevalent in central Italy. The obverse typically features a robust head of Silenus or a dog, rendered with strong, stylized features. The reverse commonly displays an eagle, a powerful symbol, with the value mark 'S' (Semis) distinctly placed to the left of the main motif. This blend of indigenous iconography and Hellenistic conventions underscores the region's cultural synthesis.

Technical/Grading: Struck on a substantial bronze flan (44.06 grams, 32 millimeters), this coin's high points—like the obverse deity's hair and facial features, or the eagle's breast and wing details—are crucial for assessing wear. Technical strike qualities often vary; centering, die alignment, and die wear are common issues. The fabric typically exhibits a robust, sometimes irregular surface. Collectors should prioritize original patina, which enhances preservation and eye appeal.

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