1/2 As Light type, value to the left

Émetteur Tuder
Année 220 BC - 201 BC
Type Standard circulation coin
Valeur 1/2 As = 1 Semis
Devise As (circa 280-201 BC)
Composition Bronze
Poids 44.06 g
Diamètre 32 mm
Épaisseur
Forme Round (irregular)
Technique
Orientation
Graveur(s)
En circulation jusqu’à
Référence(s) ICC#223, HN Italy#46, Haeberlin#p.229, Thurlow-Ve#164, Campana#11
Description de l’avers Sleeping dog with legend above and value below.
Écriture de l’avers
Légende de l’avers TUTERE C
(Translation: Tuder 1/2)
Description du revers Lyre with value to the left.
Écriture du revers
Légende du revers C
(Translation: 1/2)
Tranche Smooth.
Atelier
Tirage ND (220 BC - 201 BC) - -
ID Numisquare 3320613500
Informations supplémentaires

Historical Context: This 1/2 As, issued by the Umbrian city of Tuder (220-201 BC), coincides with the tumultuous Second Punic War. As a Roman ally, Tuder’s coinage reflects the immense economic pressures of the conflict. The "light type" indicates a shift to reduced weight standards from earlier Roman aes grave. Such local bronze issues were vital for facilitating everyday commerce and military expenditures within Tuder’s territory, supplementing the Roman monetary system during a period of national strain against Hannibal.

Artistry: The design of this 1/2 As, while from an anonymous engraver, exemplifies Graeco-Italic stylistic traditions prevalent in central Italy. The obverse typically features a robust head of Silenus or a dog, rendered with strong, stylized features. The reverse commonly displays an eagle, a powerful symbol, with the value mark 'S' (Semis) distinctly placed to the left of the main motif. This blend of indigenous iconography and Hellenistic conventions underscores the region's cultural synthesis.

Technical/Grading: Struck on a substantial bronze flan (44.06 grams, 32 millimeters), this coin's high points—like the obverse deity's hair and facial features, or the eagle's breast and wing details—are crucial for assessing wear. Technical strike qualities often vary; centering, die alignment, and die wear are common issues. The fabric typically exhibits a robust, sometimes irregular surface. Collectors should prioritize original patina, which enhances preservation and eye appeal.

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