کاتالوگ
| صادرکننده | Uncertain Pontian city |
|---|---|
| سال | 130 BC - 100 BC |
| نوع | Standard circulation coin |
| ارزش | |
| واحد پول | Drachm |
| ترکیب | Bronze |
| وزن | 2.20 g |
| قطر | 11.0 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | Variable alignment ↺ |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | HGC 7#317, SNG BM Black Sea#984 |
| توضیحات روی سکه | Head of horse with star (or comet) on neck to right |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Palm branch with taenia and star (or comet) |
| خط پشت سکه | |
| نوشتههای پشت سکه | |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (130 BC - 100 BC) - - |
| شناسه Numisquare | 1316128190 |
| اطلاعات تکمیلی |
Historical Context: This Æ11 bronze, issued by an uncertain Pontian city between 130 BC and 100 BC, offers a numismatic glimpse into the dynamic political landscape of the Black Sea region during the late Hellenistic period. Preceding the full consolidation of the Kingdom of Pontus under Mithridates VI Eupator, this era saw numerous cities maintaining autonomy, each requiring local currency for daily commerce. Such small denomination bronzes served essential economic functions, reflecting the decentralized authority prior to a dominant central power.
Artistry: The artistic execution of this diminutive coin adheres to prevalent Hellenistic stylistic conventions. While the engraver remains anonymous, the design typically features a simplified, yet recognizable, bust on the obverse—perhaps a local deity, personification, or dynastic portrait—rendered with characteristic plasticity and idealized forms. The reverse would likely present a common symbol, animal, or monogram pertinent to the issuing city or broader Pontian cultural sphere, executed with precision impressive for such a small flan.
Technical/Grading: Given its 11mm module and bronze composition, the strike quality of this Æ11 commonly exhibits characteristics typical of small Hellenistic bronzes. High-points on the obverse, such as hair details or facial features on a portrait, or musculature on an animal reverse, are often the first areas to show wear. Production frequently involved irregular flans and varying strike pressure, leading to occasional off-center strikes or areas of flatness. A well-centered strike with full details on both sides would be considered exceptional for this type.