1000 Rupiah

Bank Indonesia's decision to print this note domestically at Percetakan Kebayoran — rather than through the established European security printers used for earlier series — reflected a deliberate postcolonial policy shift that began in earnest after the transfer of sovereignty in 1949. The Jakarta press had limited capacity for sophisticated intaglio work, which is why the 1958 series relied primarily on watermark security rather than the more complex anti-counterfeiting measures found on contemporaneous notes from De La Rue or Joh. Enschedé.

Designer credit to Junalies is rarely documented in detail outside Indonesian archival sources, making attribution on this series unusually difficult to verify through standard Western numismatic references.