Catalogus
| Uitgever | Central Bank of Turkmenistan |
|---|---|
| Jaar | 2005 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#20 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | Portrait watermark of Saparmyrat Nyýazow; electrotype signature |
| Varianten | Log in om details te zien |
| Opmerkingen |
The 2005 1000 Manat belongs to the first generation of banknotes issued under Saparmurat Niyazov's personality cult at its most extreme — the period when state iconography had fully colonized public life, currency included. Giesecke & Devrient, who printed much of this series in Munich, worked to specifications dictated by a government that treated the notes as political instruments as much as monetary ones.
Niyazov died in December 2006. His successor, Gurbanguly Berdimuhamedow, initiated a currency redenomination in 2009 — one new Manat to 5,000 old — that rendered this entire issue obsolete within four years of printing.