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| 表面の説明 | ログイン して詳細を見る |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The back is printed in blue and violet intaglio, dominated by a large central allegorical vignette in the neoclassical tradition showing a standing female figure pouring water from an amphora, accompanied by a reclining male figure and a seated female figure in a triumphal grouping. Two female portrait medallions in the upper left and right corners frame the composition within an elaborate guilloche border, and two blank oval panels appear in the lower corners. Designer and engraver credits appear in small text along the lower margin. |
| 裏面の銘文 | DANIEL DUPUIS ET GEORGES DUVAL FEC. LEON. ROUSSEAU SC. |
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| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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This note belongs to a wartime stopgap series: existing Banque de France 1000 Francs plates were adapted for Algerian colonial use by overprinting, rather than commissioning new designs. The Banque de France continued printing in metropolitan France for the Algerian issuer even as North Africa became the central theater of Allied operations in 1942–43 — an administrative continuity that the military situation on the ground made increasingly awkward.
Dupuis and Duval's original design dated to the interwar period, with Léveillé's engraving on the obverse among the more technically accomplished intaglio work of that generation. Rousseau's reverse plates are noticeably less refined.