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1000 Francs

Uitgever Caisse Centrale de la France d'Outre-Mer
Jaar 1947
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen 193 × 103 mm
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Multicolour intaglio note with principal wording and denomination numeral '1000' rendered in dark blue, with numbering and signature in black. A central allegorical vignette to the right presents the emblem of the French Union, portraying a woman from metropolitan France in profile alongside a West Indian woman set before a stylised palm grove, evoking the colonial bond of the French overseas territories. The engraver's and designer's credits appear in the lower margin below the guilloche underprint.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde CAISSE CENTRALE DE LA FRANCE D'OUTRE-MER L'ART. 139 DU CODE PENAL PUNIT DES TRAVAUX FORCÉS CEUX QUI AURONT CONTREFAIT OU FALSIFIÉ LES BILLETES DE BANQUE AUTORISÉS PAR LA LOI W. FEL FEC. ARMANELLI SC.
(Translation: Central Fund of Overseas France Article 139 of the Penal Code punishes forced labour those who have counterfeited or falsified banknotes authorised by law.)
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

The Caisse Centrale de la France d'Outre-Mer was established by de Gaulle's provisional government in 1944 to handle currency in liberated and overseas French territories, deliberately bypassing the Banque de France's metropolitan monopoly. This 1000-franc note, printed at the Banque de France's Paris workshops, was issued across a remarkably heterogeneous range of territories — from French Guiana to Réunion to the Pacific settlements — making attribution of circulated examples to a specific territory genuinely difficult without accompanying documentation.

Poughéon was a Prix de Rome laureate; his involvement signals that this was treated as a prestige production, not a utility print.

MISSCHIEN OOK INTERESSANT