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1000 Dinara Not issued
| Uitgever | Narodna banka Kraljevine Jugoslavije (National Bank of the Kingdom of Yugoslavia) |
|---|---|
| Jaar | 1935 |
| Type | Non-circulating banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
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| Beschrijving voorzijde | Central vignette of a standing female allegorical figure holding a laurel branch in her right hand, left arm raised, leading three horsemen in a triumphal procession. The composition is framed by an ornate guilloche border with foliate and scrollwork motifs, with the denomination numeral in each corner. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Two muscular, semi-draped male figures in an academic intaglio style flank a central blank medallion wreathed in laurel; at left a man with a hammer rests against a classical column capital, at right a seated man holds a mallet amid agricultural produce and fish, with a suspension bridge over the Sava River rendered in the background landscape. The denomination appears in numerals at all four corners, and an anti-counterfeiting warning panel in Latin script is positioned below the central medallion. Artist and engraver credits appear in the lower margins. |
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| Opmerkingen |
Designed and engraved in 1935 but not printed until April 30, 1945, this note was completed at ZIN in Belgrade under circumstances that made any official release impossible — Germany had occupied Yugoslavia from April 1941, the Kingdom itself had ceased to function, and by the time the sheets came off the press, Tito's forces were days away from liberating the capital. The Narodna banka Kraljevine Jugoslavije, the issuing authority named on the face, had effectively ceased to exist as a functioning institution.
Engraver Veljko Andrejević Kun was one of ZIN's most accomplished craftsmen; designer Vasa Pomorišac collaborated with him on several interwar Yugoslav issues. The 1945 print run was almost certainly a bureaucratic or patriotic gesture rather than a practical monetary decision, which accounts for the note's consistent uncirculated state across all known examples.