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1000 Dinara Not issued
| 発行体 | Narodna banka Kraljevine Jugoslavije (National Bank of the Kingdom of Yugoslavia) |
|---|---|
| 年号 | 1935 |
| 種類 | Non-circulating banknote |
| 額面 | ログイン して詳細を見る |
| 通貨 | ログイン して詳細を見る |
| 材質 | ログイン して詳細を見る |
| サイズ | ログイン して詳細を見る |
| 形状 | ログイン して詳細を見る |
| 印刷会社 | ログイン して詳細を見る |
| デザイナー | ログイン して詳細を見る |
| 彫刻師 | ログイン して詳細を見る |
| 流通終了年 | ログイン して詳細を見る |
| 参考文献 | ログイン して詳細を見る |
| 表面の説明 | Central vignette of a standing female allegorical figure holding a laurel branch in her right hand, left arm raised, leading three horsemen in a triumphal procession. The composition is framed by an ornate guilloche border with foliate and scrollwork motifs, with the denomination numeral in each corner. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Two muscular, semi-draped male figures in an academic intaglio style flank a central blank medallion wreathed in laurel; at left a man with a hammer rests against a classical column capital, at right a seated man holds a mallet amid agricultural produce and fish, with a suspension bridge over the Sava River rendered in the background landscape. The denomination appears in numerals at all four corners, and an anti-counterfeiting warning panel in Latin script is positioned below the central medallion. Artist and engraver credits appear in the lower margins. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Designed and engraved in 1935 but not printed until April 30, 1945, this note was completed at ZIN in Belgrade under circumstances that made any official release impossible — Germany had occupied Yugoslavia from April 1941, the Kingdom itself had ceased to function, and by the time the sheets came off the press, Tito's forces were days away from liberating the capital. The Narodna banka Kraljevine Jugoslavije, the issuing authority named on the face, had effectively ceased to exist as a functioning institution.
Engraver Veljko Andrejević Kun was one of ZIN's most accomplished craftsmen; designer Vasa Pomorišac collaborated with him on several interwar Yugoslav issues. The 1945 print run was almost certainly a bureaucratic or patriotic gesture rather than a practical monetary decision, which accounts for the note's consistent uncirculated state across all known examples.