カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Brown on gold underprint. A circular guilloche vignette at left encloses the denomination numeral "100", while a circular portrait vignette at right bears the bust of Prince Józef Antoni Poniatowski in military dress uniform. The central field carries the inscription "STO ZŁOTYCH" above the issue date and the names of the bank's principal officers, with the "BANK POLSKI" legend rendered in bold letterpress across the lower panel. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Brown on light underprint. The central vignette presents a large oak tree set within an oval wreath composed of interlinked cartouches, flanked by two allegorical figures — a seated male figure at left and a standing female figure at right — rendered in fine intaglio line work. The denomination "100" appears in each corner, and a guilloche band runs along the upper and lower margins. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Bank Polski issued this series under conditions of mounting fiscal pressure — Poland had returned to the gold standard in 1927 under Grabski's reforms, but by the early 1930s the global depression had badly strained reserves, and new note issues were carefully managed instruments of that precarious stability. The 100 Złotych denomination carried most of the weight in everyday commercial transactions during this period.
Printed domestically by PWPW, which had been established in Warsaw in 1919 specifically to free the reborn Polish state from dependence on foreign printers. For a country only thirteen years removed from partition, that capacity mattered as much politically as technically.