Catalogus
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
| Uitgever | Central Bank of Syria |
|---|---|
| Jaar | 1977-1990 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#104 |
| Beschrijving voorzijde | Dark blue, dark green and dark brown intaglio print on multicolour underprint. Central vignette presents the ancient ruins of Palmyra, with a portrait bust of Queen Zenobia positioned at right. Guilloche borders frame the composition, with bilingual Arabic and English inscriptions identifying the issuing authority and denomination. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | an Arabic horse head |
| Varianten | Log in om details te zien |
| Opmerkingen |
Thomas De La Rue held the contract for Syrian banknote production through much of the Ba'athist period, and this long-running series — active for over a decade — reflects the relative monetary stability Syria maintained before the economic disruptions of the late 1980s. The wide date range on P#104 is itself telling: a government comfortable enough with a single design to leave it in production across three different Finance Ministers and two distinct phases of Assad's consolidation of state institutions.
Notes from the early 1990 printings occasionally show slight color variance in the green register, a known characteristic of aging ink batches rather than a deliberate change.