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100 Som
| Emittent | Kyrgyz Bank |
|---|---|
| Jahr | 1994 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Rectangular |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Central vignette consists of a portrait of Kyrgyz akyn (improvising poet), composer, and singer Toqtoğul Satılğan uulu (1864–1933), rendered in intaglio. Denomination numerals and Cyrillic inscriptions appear alongside traditional Kyrgyz ornamental underprint elements framing the design. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | The central vignette presents an intaglio engraving of the Toqtoğul hydroelectric dam set within a dramatic mountain gorge landscape, with conifer trees in the foreground and the reservoir visible in the distance. The denomination numeral "100" appears in multicolour guilloché at upper right and lower left, while a vertical band of traditional Kyrgyz ornamental pattern runs along the left margin. A small decorative Kyrgyz tamga symbol is positioned at centre right. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Kyrgyzstan's first banknote series, introduced in May 1993, replaced the Russian ruble following independence — the som itself had been rushed into production partly because the ruble zone was collapsing faster than anticipated. The 100 Som was the highest denomination in that inaugural series, printed by the Canadian Bank Note Company in Ottawa.
The watermark on these early issues is a simple repeated pattern, modest by contemporary security standards. CBN-printed Kyrgyz notes from this period are occasionally found with slightly uneven ink distribution on darker tonal areas — a known characteristic of the run, not a defect.