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100 Schilling
| Uitgever | Oesterreichische Nationalbank |
|---|---|
| Jaar | 1936 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#101 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | A finely engraved intaglio landscape vignette occupies the central panel, presenting a view of the Gosausee with conifers and rocky formations in the foreground and the snow-capped Dachstein massif rising in the background. The left margin carries an ornate guilloche panel incorporating the numeral 100, while the right margin features a plain unprinted reserve panel framed by decorative borders. The denomination and anti-counterfeiting warning are set in bold letterpress along the lower portion of the note, signed below the vignette by SEGER. |
| Opschrift keerzijde | HUNDERT SCHILLING DIE NACHMACHUNG DER BANKNOTEN WIRD GESETZLICH BESTRAFT 100 (Translation: Hundred Schilling Counterfeiting of Banknotes will be Punished by the Law 100) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The 100 Schilling of 1936 was issued under the Fatherland Front government of Kurt Schuschnigg, during the brief authoritarian interlude between Austrian democracy and the Anschluss. The Oesterreichische Nationalbank was operating under considerable political and economic strain — Austria's banking system had been badly damaged by the 1931 Creditanstalt collapse, and confidence in paper currency remained fragile throughout the mid-decade recovery.
Rudolf Junk was a prolific Viennese graphic artist whose banknote work for the OeNB spanned multiple denominations across this period. Engraver Rudolf Zenziger was a regular collaborator on the series. This note had a short effective lifespan — the March 1938 Anschluss and subsequent Reichsmark integration rendered the entire Schilling series obsolete within two years of this issue.