Danh mục
| Đơn vị phát hành | Sudan |
|---|---|
| Năm | 1885 |
| Loại | Standard circulation coin |
| Mệnh giá | 100 Qirsh |
| Tiền tệ | Piastre (1885-1898) |
| Chất liệu | Gold |
| Trọng lượng | 7.57 g |
| Đường kính | 22 mm |
| Độ dày | |
| Hình dạng | Round |
| Kỹ thuật | Milled |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | KM#3 |
| Mô tả mặt trước | Toughra above value |
|---|---|
| Chữ viết mặt trước | Arabic |
| Chữ khắc mặt trước |
١٠٠ ش (Translation: 100 Qirsh) |
| Mô tả mặt sau | Regnal year, mint, and date |
| Chữ viết mặt sau | Arabic |
| Chữ khắc mặt sau |
٢ ضرب في مصر ١٢٥٥ (Translation: Struck in Egypt 1255//2) |
| Cạnh | Crude reeding |
| Xưởng đúc | |
| Số lượng đúc |
1255 (1885) 2 - ٢//١٢٥٥ - 1255 (1885) 5 - ٥//١٢٥٥ [Unlisted in Krause] - 1277 (1885) 4 - ٤//١٢٧٧ [Unlisted in Krause] - |
| ID Numisquare | 6828580730 |
| Thông tin bổ sung |
Historical Context: The 100 Qirsh gold coin from 1885 is a pivotal artifact of the Mahdist State in Sudan, led by Mohammed Ahmed al-Mahdi. This year marked the zenith of his power, following the fall of Khartoum. As a "local imitation," it symbolizes the nascent state's assertion of sovereignty and its break from Turco-Egyptian authority, establishing an independent Islamic caliphate. This coinage was essential for legitimizing the new regime and facilitating commerce.
Artistry: The artistry of this 100 Qirsh is characteristic of early Mahdist coinage, belonging to an indigenous Islamic epigraphic tradition. Engravers, likely anonymous, focused on conveying religious and political messages through Arabic calligraphy. The design typically features declarations like "There is no god but Allah, Muhammad is the Messenger of Allah" and "The Mahdi is the Caliph of the Messenger of Allah," alongside the denomination and date. Its "imitation" designation suggests a simplified adaptation of regional gold coinage, imbued with distinct Mahdist legends.
Technical/Grading: As a "local imitation," the technical strike qualities of this 100 Qirsh are often rudimentary. High-points for grading include the raised elements of the Arabic calligraphy, particularly upper strokes and diacritics, which are susceptible to wear. Strikes are frequently weak, uneven, or off-center due to hurried production and less sophisticated minting techniques. Planchets may exhibit irregularities, contributing to incomplete legends or areas of flatness. Collectors should anticipate variations in strike quality, reflecting its emergency coinage status.