カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | BANQUE DE L'INDO-CHINE CENT PIASTRES G. BARRIÈRE DEL & SC. IDEO. HANOI L'DIRECTEUR GÉNÉRAL LE CAISSIER DE LA SUCCURSALE LE DIRECTEUR DE LA SUCCURSALE DE SAÏGON |
| 裏面の説明 | Central vignette in violet intaglio of a multi-tiered Vietnamese pagoda set within a rice paddy landscape, framed by an elaborate wreath of wheat and rice stalks. At upper centre the Vietnamese inscription MOT TRAM DONG VANG appears in letterpress, flanked by Chinese characters reading 東方匯理銀行 壹佰元 at left and the Khmer numeral denomination 100 at right; the legal warning text in French occupies a cartouche at the lower centre, with the designer credit PHAM NGOC KHUE and printer imprint IDEO. HANOI at the lower margins. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Printed locally in Hanoi under Japanese occupation, this note was produced by the Imprimerie d'Extrême-Orient because the normal supply chain from Metropolitan France had been severed. The Banque de l'Indochine continued issuing currency under Vichy authority until the Japanese coup of 9 March 1945 — the coup de force that dismantled French administrative control overnight — after which remaining stocks became operationally and politically awkward.
The reverse credit to Phạm Ngọc Khuê is notable: local Vietnamese engravers contributing to colonial banknote production was unusual enough to warrant attention, and his involvement reflects the practical necessity of relying on Hanoi-based talent once metropolitan resources were inaccessible.