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| 表面の説明 | Animated market scene vignettes in intaglio occupy the left and right panels, with figures in traditional Indochinese dress engaged in trade and daily activities set against a warm reddish-orange underprint. The central field carries the bold letterpress denomination 'CENT PIASTRES' beneath the bank title 'BANQUE DE L'INDOCHINE' running across the top, with three signature lines for bank officials positioned along the lower margin. A green guilloche border frames the entire composition, and the engraver's credit 'G. BARRIÈRE DEL & SC.' appears in the lower portion. |
|---|---|
| 表面の銘文 | BANQUE DE L'INDOCHINE CENT PIASTRES G. BARRIÈRE DEL & SC. IDEO. HANOI |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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Produced entirely within occupied Indochina after the fall of France severed normal supply lines to metropolitan printers, this note is one of the few Banque de l'Indochine issues designed, engraved, and printed locally from start to finish. The Imprimerie d'Extrême-Orient in Hanoi had the technical capacity but not the security infrastructure of Parisian ateliers, and the quality differential shows in the engraving — Georges Barrière's work is competent but uneven compared to his contemporaries working under better conditions.
Phạm Ngọc Khuê's involvement on the reverse is notable: a Vietnamese artist contributing to an official colonial currency issue was genuinely unusual for the period.