Katalog
| Emittent | Banco Central del Uruguay |
|---|---|
| Jahr | 2003-2006 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 100 Pesos Uruguayos |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | BANCO CENTRAL DEL URUGUAY PESOS URUGUAYOS CIEN MONEDA NACIONAL ALEGORIA MUSICAL (Translation: Central Bank of Uruguay One Hundred Pesos Uruguayos National Currency Musical Allegory) |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Portrait watermark of José G. Artigas; vertical security thread embedded in the paper stock. |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
This note was issued against a bleak backdrop: Uruguay's 2002 banking crisis, triggered partly by contagion from Argentina's collapse next door, wiped out nearly half the country's deposits and forced an emergency IMF bailout. The 100 Pesos Uruguayos denomination had real purchasing significance in that environment, though chronic inflation steadily eroded it across the series run.
The dual-printer arrangement — G&D in Leipzig and Oberthur in France — was not unusual for Uruguayan issues of this period, with production split across contracts rather than consolidated. Security provision is modest: watermark and thread only, with no optically variable elements.