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100 Pesos Oro
| Emittent | Banco Central de la República Dominicana |
|---|---|
| Jahr | 1977-1987 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Violet, brown-orange, and yellow-orange on multicolour underprint. Central vignette shows the entrance to the 16th-century Casa de la Moneda (mint); the bank seal appears at left, with the issuer name along the top and face value in numerals at all four corners and in words at lower centre. Two black intaglio signatures with titles appear in the lower zone, with a six-digit serial number carrying one letter prefix and one suffix; Specimen examples bear a black ESPECIMEN overprint at centre and hole-punch cancellation. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Watermark area placed on obverse right, depicting an Indian head or portrait of Juan Pablo Duarte |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The Dominican Republic's relationship with Thomas De La Rue stretched across most of the twentieth century, and this 100 Pesos Oro issue is a product of that long-running arrangement rather than any particular political urgency. The decade-long print span — 1977 through 1987 — produced at least two distinct signature combinations reflecting genuine gubernatorial turnover at the Banco Central, including the appointment of economist Bernardo Vega in the early 1980s, a figure better known for his later work as a historian and diplomat than for his tenure in monetary administration.
The watermark security is modest by the standards De La Rue was applying to other clients during the same period.