カタログ
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse is dominated by a large intaglio vignette of the stone statue of Xochipilli, the Aztec god of art, games, and flowers, seated on an ornate carved pedestal at center-left, rendered in deep rose-red tones. Geometric and pre-Columbian decorative motifs fill the surrounding guilloche panels on both sides, with the issuer name BANCO DE MEXICO at upper center and the denomination 100 / PESOS / CIEN at various positions. The overall composition draws on Aztec iconographic elements to frame the central sculptural figure. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | P#108a - 06.05.1994 / series A P#108b - 10.05.1996 / series AK P#108c - 17.03.1998 / series BA P#108d - 23.04.1999 / series BH |
| コメント |
This note belongs to the "D" series issued by Banco de México during a period of forced institutional discipline following the catastrophic 1994–95 peso crisis, when the currency lost roughly half its value against the dollar in a matter of weeks. The Banco de México had only received formal constitutional independence in April 1994 — months before the devaluation it was powerless to prevent — and the notes circulating through the late 1990s did so against a backdrop of IMF restructuring and a $50 billion emergency stabilization package.
Printed on cotton substrate with a watermark as the primary security feature, the note predates the polymer and holographic upgrades that arrived with later Banco de México series. The 100-peso denomination was heavily used in daily retail transactions throughout this stretch, meaning worn survivors significantly outnumber uncirculated ones.