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100 Pesos
| Uitgever | Banco Central de la República Argentina |
|---|---|
| Jaar | 1943-1957 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#267 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | El Banco Central de la República Argentina pagará al portador y a la vista Cien Pesos LEY N° 12155 DE 28 DE MARZO DE 1935 Moneda Nacional (Translation: The Central Bank of the Argentine Republic promises to pay the bearer on demand One Hundred Pesos Law No. 12,155 of March 28, 1935 National Currency) |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Portrait of General Manuel Belgrano. |
| Varianten | Log in om details te zien |
| Opmerkingen |
Pick 267 covers a long issue window — 1943 to 1957 — during which Argentina lurched through Perón's rise, his 1946 election, the nationalization of the Banco Central in 1946, and his eventual ousting in 1955. The note remained in circulation across all of it, which is worth noting: successive governments found no immediate need to replace the design, even as the political symbolism around state institutions shifted dramatically.
Chalcographic printing — intaglio, essentially — was used throughout the series, giving the surface its characteristic tactile relief. Heavy circulation takes a particular toll on intaglio-printed notes; the ink sits proud of the paper and wears at the high points first.