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100 Mil Réis Thesouro Nacional, 1st print
| Uitgever | Thesouro Nacional |
|---|---|
| Jaar | 1835 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | 220 × 135 mm |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Intaglio-printed in black on white paper. The left panel carries the Arms of the Brazilian Empire within an oval vignette, while the central field presents a panoramic view of the city of Recife, Pernambuco, as it appeared in the first half of the 19th century. The right panel contains a reference to the authorizing decree of 1 June 1833, with denomination numerals and text repeated in the borders and corner blocks throughout the design. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Reverse is blank, entirely without printing. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Brazil's Thesouro Nacional turned to Perkins, Bacon & Petch in London for this 1835 emission at a time when the country had no domestic printing capability remotely suited to security work. Jacob Perkins's steel engraving process — developed in the United States before he relocated to London in 1819 — was then considered the most counterfeit-resistant method available, which made it the obvious choice for a treasury still navigating the institutional instability of the Regency period following Pedro I's abdication in 1831.
The mil réis denomination placed this note firmly in high-value commercial use rather than everyday circulation. Survival rates for this first print are low; the Brazilian climate was brutal on paper currency, and institutional redemption practices destroyed much of what circulation spared.