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| Emittent | Thesouro Nacional |
|---|---|
| Jahr | 1835 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | 100 CEM * 100$ * CEM * 100$ * CEM 100 IMPERIO DO BRASIL Nº ____ 100$000 NO THESOURO NACIONAL SE PAGARÁ ao portador desta a quantia de CEM MIL RÉIS, valor recebido. 100 Decreto de 1º de Junho de 1833. 100 100$ * CEM * 100$ * CEM * 100$ 100 (Translation: 100 One Hundred Empire of Brazil No. ____ 100$000 At the National Treasury you will pay bearer of this the amount of One Hundred Thousand Réis, amount received. 100 Decree of June 1, 1833. 100 One Hundred) |
| Rückseitenbeschreibung | Reverse is blank, entirely without printing. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Brazil's Thesouro Nacional turned to Perkins, Bacon & Petch in London for this 1835 emission at a time when the country had no domestic printing capability remotely suited to security work. Jacob Perkins's steel engraving process — developed in the United States before he relocated to London in 1819 — was then considered the most counterfeit-resistant method available, which made it the obvious choice for a treasury still navigating the institutional instability of the Regency period following Pedro I's abdication in 1831.
The mil réis denomination placed this note firmly in high-value commercial use rather than everyday circulation. Survival rates for this first print are low; the Brazilian climate was brutal on paper currency, and institutional redemption practices destroyed much of what circulation spared.