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100 Lempiras
| Emittent | Banco Central de Honduras |
|---|---|
| Jahr | 1993-1994 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | P#75 |
| Vorderseitenbeschreibung | Portrait of José Cecilio del Valle in intaglio at right, with his name inscribed below in small lettering. The centre carries the denomination "CIEN LEMPIRAS" in bold numerals over a multicolour guilloche underprint, flanked by ornate lathe-work patterns. Three signature lines appear at the lower centre, with titles "PRESIDENTE", "GERENTE", and "MINISTRO DE HACIENDA Y CRÉDITO PÚBLICO" beneath the respective names. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | A panoramic vignette of the National School of Forestry buildings in Siguatepeque occupies the central field, rendered in fine line engraving against a warm ochre and green underprint. The bank title "BANCO CENTRAL DE HONDURAS" runs along the top, while the denomination "100" appears in large numerals at upper left and lower right within guilloche rosettes. An inscription panel at lower left identifies the institution and its location. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The P#75 series was Honduras's first significant redesign of the 100 Lempira denomination in over a decade, issued as the country was emerging from the political turbulence of the 1980s and attempting to stabilize an economy badly strained by both military expenditure and structural adjustment programs imposed under IMF agreements. Thomas De La Rue handled the work in London, as they had for much of Central America's currency production throughout the twentieth century.
The watermark remains the primary security feature — relatively modest by the standards De La Rue was capable of at the time, reflecting budget constraints on the Banco Central's printing contract.