Catalog
| Issuer | Hungarian State |
|---|---|
| Year | 1920 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Paper |
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| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | SZÁZ KORONA MAGYARORSZÁG AZ OSZTRAK-MAGYAR BANKE BANKJEGYÉRT KIRÁLYI KIVÁNSÁGÁRA BÁRKINAK FIZET BÉCSI ÉS BUDAPESTI FŐPÉNZTÁRAINÁL TÖRVÉNYES BANKJEGYEK OSZTRÁK A BANKJEGYEK UTÁNZÁSA A TÖRVÉNY SZERINT BÜNTETTETIK (Translation: HUNDRED KORONA / HUNGARY / The Austro-Hungarian Bank pays to anyone at its Vienna and Budapest main offices / LEGAL / BANKNOTES / AUSTRIAN / Counterfeiting banknotes is punishable by law) |
| Reverse description | Log in to see details |
| Reverse lettering | HUNDERT KRONEN OESTERREICHISCH-UNGARISCHE BANK WIEN, 2. JÄNNER 1912 STO KORUN · STO КОРОН · STO KRON STOWRUNA · OAP KOPOPA · СТО УРОРА CENTO CORONE · UNA SUTA COROANE DIE NACHMACHUNG DER BANKNOTEN WIRD GESETZLICH BESTRAFT |
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| Comments |
Hungary's postwar currency situation in 1920 was chaotic by any measure. The Austro-Hungarian Krone had collapsed alongside the empire, and the new Hungarian state was issuing its own korona notes under severe economic strain — this 100 Korona being one of several denominations produced during that transitional period before hyperinflation made such values essentially worthless within a few years.
Josef Pfeiffer was a Viennese designer, and his involvement here reflects how deeply intertwined Hungarian and Austrian printing infrastructure remained even after the political separation of 1918.