100 Francs Piedfort

Đơn vị phát hành New Hebrides (1906-1980)
Năm 1966
Loại Coin pattern
Mệnh giá 100 Francs
Tiền tệ Franc (1921-1982)
Chất liệu Silver
Trọng lượng 50 g
Đường kính 37 mm
Độ dày 5.0 mm
Hình dạng Round
Kỹ thuật Milled
Hướng Coin alignment ↑↓
Nghệ nhân khắc Raymond Joly
Lưu hành đến
Tài liệu tham khảo KM#PE1, Lec#57
Mô tả mặt trước Marianne (Goddess or personification of Liberty), facing left and wearing the Phrygian cap.
Chữ viết mặt trước Latin
Chữ khắc mặt trước RÉPVBLIQVE FRANÇAISE R JOLY 1966
(Translation: French Republic)
Mô tả mặt sau Bisj pole or Totem pole (it is a ritual artifact with animals or human faces carved on a single piece of wood).
Chữ viết mặt sau Latin
Chữ khắc mặt sau NOUVELLES HÉBRIDES 100f
(Translation: New Hebrides)
Cạnh Plain
Xưởng đúc Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Số lượng đúc 1966 - - 500
ID Numisquare 3251451480
Thông tin bổ sung

Historical Context: The 1966 New Hebrides 100 Francs Piedfort originates from the Anglo-French Condominium (1906-1980), a unique dual administration. This post-WWII era saw the territory under joint governance, with the CFP Franc as its currency. As a piedfort, this special striking was intended for presentation or collectors, not circulation, signifying French numismatic tradition. Its production precedes the nation's independence as Vanuatu in 1980, representing a specific period of colonial influence.

Artistry: The coin’s design reflects mid-20th century French numismatic artistry, likely from the Monnaie de Paris. The obverse typically presents an allegorical Marianne, embodying the French Republic, often in a classical style with a laurel wreath. The reverse distinctively features indigenous New Hebrides motifs, such as a traditional native hut (case) amidst palm trees, symbolizing local culture and the tropical environment. This blend illustrates the colonial presence alongside local identity.

Technical/Grading: As a piedfort, this 50-gram silver coin is struck on an unusually thick flan, typically yielding a strong strike with exceptional detail. Key high-points for grading include Marianne's hair and laurel wreath on the obverse, and the intricate thatch of the hut's roof and palm fronds on the reverse. While the thicker flan ensures a full strike, the expansive fields are prone to hairlines and cabinet friction. Surface preservation and attractive toning are critical for high-grade examples.

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