100 Francs Piedfort

Emitent New Hebrides (1906-1980)
Rok 1966
Typ Coin pattern
Nominał 100 Francs
Waluta Franc (1921-1982)
Skład Silver
Waga 50 g
Średnica 37 mm
Grubość 5.0 mm
Kształt Round
Technika Milled
Orientacja Coin alignment ↑↓
Rytownik(zy) Raymond Joly
W obiegu do
Źródło(a) KM#PE1, Lec#57
Opis awersu Marianne (Goddess or personification of Liberty), facing left and wearing the Phrygian cap.
Pismo awersu Latin
Legenda awersu RÉPVBLIQVE FRANÇAISE R JOLY 1966
(Translation: French Republic)
Opis rewersu Bisj pole or Totem pole (it is a ritual artifact with animals or human faces carved on a single piece of wood).
Pismo rewersu Latin
Legenda rewersu NOUVELLES HÉBRIDES 100f
(Translation: New Hebrides)
Krawędź Plain
Mennica Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Nakład 1966 - - 500
ID Numisquare 3251451480
Dodatkowe informacje

Historical Context: The 1966 New Hebrides 100 Francs Piedfort originates from the Anglo-French Condominium (1906-1980), a unique dual administration. This post-WWII era saw the territory under joint governance, with the CFP Franc as its currency. As a piedfort, this special striking was intended for presentation or collectors, not circulation, signifying French numismatic tradition. Its production precedes the nation's independence as Vanuatu in 1980, representing a specific period of colonial influence.

Artistry: The coin’s design reflects mid-20th century French numismatic artistry, likely from the Monnaie de Paris. The obverse typically presents an allegorical Marianne, embodying the French Republic, often in a classical style with a laurel wreath. The reverse distinctively features indigenous New Hebrides motifs, such as a traditional native hut (case) amidst palm trees, symbolizing local culture and the tropical environment. This blend illustrates the colonial presence alongside local identity.

Technical/Grading: As a piedfort, this 50-gram silver coin is struck on an unusually thick flan, typically yielding a strong strike with exceptional detail. Key high-points for grading include Marianne's hair and laurel wreath on the obverse, and the intricate thatch of the hut's roof and palm fronds on the reverse. While the thicker flan ensures a full strike, the expansive fields are prone to hairlines and cabinet friction. Surface preservation and attractive toning are critical for high-grade examples.

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