Danh mục
| Đơn vị phát hành | Niger |
|---|---|
| Năm | 1968 |
| Loại | Coin pattern |
| Mệnh giá | 100 Francs CFA |
| Tiền tệ | CFA franc (1958-date) |
| Chất liệu | Silver (.900) |
| Trọng lượng | 32 g |
| Đường kính | 42 mm |
| Độ dày | 2 mm |
| Hình dạng | Round |
| Kỹ thuật | Milled |
| Hướng | Coin alignment ↑↓ |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | KM#E11 |
| Mô tả mặt trước | Coat of arms of Niger. |
|---|---|
| Chữ viết mặt trước | Latin |
| Chữ khắc mặt trước |
FRATERNITÉ-TRAVAIL-PROGRÈS 100 FRs 1968 ESSAI (Translation: Brotherhood, work, progress. Trial.) |
| Mô tả mặt sau | Bust of Diori Hamani facing left. |
| Chữ viết mặt sau | Latin |
| Chữ khắc mặt sau |
PRESIDENT DIORI HAMANI • RÉPUBLIQUE DU NIGER (Translation: Republic of Niger.) |
| Cạnh | Reeded |
| Xưởng đúc | |
| Số lượng đúc |
1968 - Proof - |
| ID Numisquare | 5923477270 |
| Thông tin bổ sung |
Historical Context: Issued in 1968, the 100 Francs Diori Hamani silver essai marks a pivotal moment in Niger's post-independence history. As the first President (1960-1974), Hamani Diori symbolized the nation's nascent sovereignty and its aspirations for stability. This essai, featuring the head of state, served as a powerful declaration of national identity and economic autonomy, underscoring the young republic's assertion of monetary authority following liberation from French colonial rule.
Artistry: The design likely originated from a mint with a strong tradition in classical or modern realist portraiture, such as the Monnaie de Paris. The obverse presents a dignified bust of President Diori Hamani, rendered with clarity and gravitas, characteristic of official state portraiture. The reverse typically bears the denomination and year, potentially alongside national emblems or motifs reflecting Nigerien culture, all executed with precision befitting an essai issue.
Technical/Grading: Struck in .900 fine silver, this substantial 42 mm, 32 gram essai exhibits exceptional technical qualities. For grading, key high-points on the obverse portrait include the highest hair strands, cheekbone, and ear. On the reverse, central design elements and lettering should show full detail. Essais are typically struck with multiple blows on prepared planchets, resulting in a sharp, crisp strike, often with proof-like fields and strong cartwheel luster, showcasing intricate details and the silver fabric.