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100 Francs - Charles III

Uitgever Principality of Monaco
Jaar 1877-1886
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Round
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Bare-headed bust of Prince Charles III of Monaco facing right, rendered in high relief with fine sculptural detail characteristic of Hubert Ponscarme's engraving style. The prince is depicted with short wavy hair and a prominent beard. The circular legend CHARLES III PRINCE DE MONACO runs along the upper periphery, while the engraver's signature PONSCARME appears at the base of the truncation and the Paris Mint mark A is positioned at the bottom of the field. The rim is bordered by a continuous beaded inner collar.
Schrift voorzijde Log in om details te zien
Opschrift voorzijde CHARLES III PRINCE DE MONACO PONSCARME A
Beschrijving keerzijde Log in om details te zien
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Charles III consolidated Monaco's finances significantly after the 1861 treaty with France ceded Menton and Roquebraton in exchange for 4 million francs and formal French recognition of Monegasque sovereignty. The large-format gold 100 Francs piece was a direct product of that newfound fiscal stability, struck within the Latin Monetary Union framework that Monaco had effectively adopted by alignment with French standards.

The series ran across Charles's final decade, ending with his death in 1889 — though the last dated strikes precede that by several years, suggesting production tapered well before the reign closed.

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