100 Francs

发行方 Chad
年份 1975-1991
类型 Standard circulation coin
面值 100 Francs CFA
货币 CFA franc (Bank of Central African States, 1973-date)
材质 Nickel
重量 7.0 g
直径 25.5 mm
厚度
形状 Round
制作工艺 Milled
方向 Coin alignment ↑↓
雕刻师 Lucien Georges Bazor
流通至
参考资料 KM#3, Schön#14
正面描述 Three Giant Eland facing left
正面文字 Latin
正面铭文 REPUBLIQUE DU TCHAD G.B.L.BAZOR CR
(Translation: Republic of the Chad)
背面描述 Denomination and date within circle
背面文字 Latin
背面铭文 BANQUE DES ETATS DE L`AFRIQUE CENTRALE 100 FRANCS 1978
(Translation: Bank of the Central African States 100 Francs 1978)
边缘 Reeded
铸币厂 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
铸造量 1975 - - 5 000 000
1978 - -
1980 - -
1982 - -
1984 - - 1 500 000
1985 - - 2 500 000
1988 - - 1 500 000
1990 - -
1991 - - 200 000
Numisquare 编号 6886608600
附加信息

Historical Context: The Chad 100 Francs coin, minted 1975-1991, circulated during an intensely turbulent period of civil wars and political upheaval following independence. Leaders like Félix Malloum and Hissène Habré navigated profound internal strife and external conflicts, including the Chadian-Libyan War. Its continuous issuance, as part of the CFA Franc system (BEAC), was vital for maintaining economic functionality and state legitimacy, providing essential currency for daily transactions amidst challenging nation-building.

Artistry: The coin's design exemplifies the utilitarian, nationally symbolic style typical of post-colonial African coinage, likely produced by the Monnaie de Paris. The engraver for these circulating issues remains uncredited. The obverse prominently displays "REPUBLIQUE DU TCHAD" and "100 FRANCS." The reverse features a stylized antelope head, often an addax, alongside a stalk of millet. This iconic imagery, shared among BEAC member states, symbolizes the region's indigenous wildlife and agricultural heritage.

Technical/Grading: Struck in durable nickel, this 100 Francs coin typically shows a consistent strike. For optimal grading, collectors should examine high-points for wear. On the obverse, critical areas are the raised lettering of "REPUBLIQUE DU TCHAD" and the numerals "100 FRANCS." On the reverse, the fine details of the antelope's horns and muzzle, plus individual grains on the millet stalk, are most susceptible to abrasion. Uncirculated examples should exhibit a pleasing satiny luster; field and bag marks are common due to circulation.

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